Learned by Reading
In the ICWSM 2009 Weblog Corpus:
Not quite infinite variety, but not for a lack of trying.
(Parse)
(S1 (FRAG (ADVP (RB Not) (RB quite))
(NP (JJ infinite) (NN variety)) (, ,) (CC but) (RB not)
(PP (IN for)
(NP (NP (DT a) (NN lack))
(PP (IN of)
(NP (VBG trying)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
It’s just never this OR that… but a fine mix of infinite variety.
(Parse)
(S1 (S (NP (PRP It))
(VP (AUX 's) (ADVP (RB just)) (ADVP (RB never))
(NP (NP (DT this) (CC OR) (DT that) (FW ..) (. .)) (CC but)
(NP (NP (DT a) (JJ fine) (NN mix))
(PP (IN of)
(NP (JJ infinite) (NN variety)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
What could be more arrogant than to think that the infinite variety of need in all the cultural groups of the world could be met by a single Savior!
(Parse)
(S1 (SBARQ (WHNP (WP What)) (SQ (MD could)
(VP (AUX be)
(ADJP (ADJP (RBR more) (JJ arrogant))
(SBAR (IN than)
(S (VP (TO to)
(VP (VB think)
(SBAR (IN that)
(S (NP (NP (DT the) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NP (NN need))
(PP (IN in)
(NP (NP (PDT all) (DT the) (JJ cultural) (NNS groups))
(PP (IN of)
(NP (DT the) (NN world)))))
(VP (MD could)
(VP (AUX be)
(VP (VBN met)
(PP (IN by)
(NP (DT a) (JJ single) (NN Savior)))
(. !)))
In the ICWSM 2009 Weblog Corpus:
The close quarters, an infinite variety of perspectives and a literary legacy give Brooklyn some of it’s most unique characteristics, and young people are moving here in droves to enjoy it.
(Parse)
(S1 (S (S (NP (NP (DT The) (JJ close) (NNS quarters)) (, ,)
(NP (NP (DT an) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NNS perspectives))))
(CC and)
(NP (DT a) (JJ literary) (NN legacy)))
(VP (VBP give)
(NP (NNP Brooklyn))
(NP (NP (DT some))
(PP (IN of)
(NP (NP (PRP it) (POS 's)) (JJS most) (JJ unique) (NNS characteristics)))
(, ,) (CC and)
(S (NP (JJ young) (NNS people))
(VP (AUX are)
(VP (VBG moving) (ADVP (RB here))
(PP (IN in)
(NP (NNS droves)
(S (VP (TO to)
(VP (VB enjoy)
(NP (PRP it))))
(. .)))
In the British National Corpus:
The set of actively traded futures contracts is very limited in comparison to the almost infinite variety of forward contracts that are struck.
(Parse)
(S1 (S (NP (NP (DT The) (NN set))
(PP (IN of)
(NP (ADJP (RB actively) (VBN traded)) (NNS futures) (NNS contracts))))
(VP (AUX is)
(ADJP (RB very) (JJ limited)
(PP (IN in)
(NP (NP (NN comparison))
(PP (TO to)
(NP (NP (DT the)
(ADJP (RB almost) (JJ infinite)) (NN variety))
(PP (IN of)
(NP (JJ forward) (NNS contracts)))
(SBAR (WHNP (WDT that))
(S (VP (AUX are)
(VP (VBN struck)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Online book stores not only provide you with an infinite variety but also remain open 247.
(Parse)
(S1 (S (NP (NN Online) (NN book) (NNS stores))
(VP (CONJP (RB not) (RB only))
(VP (VB provide)
(NP (PRP you))
(PP (IN with)
(NP (DT an) (JJ infinite) (NN variety))))
(CONJP (CC but) (RB also))
(VP (VB remain)
(ADJP (JJ open)
(NP (CD 247)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
The best thing is that the variety you can create is infinite.
(Parse)
(S1 (S (NP (DT The) (JJS best) (NN thing))
(VP (AUX is)
(SBAR (IN that)
(S (NP (NP (DT the) (NN variety))
(SBAR (S (NP (PRP you))
(VP (MD can)
(VP (VB create)))
(VP (AUX is)
(ADJP (JJ infinite)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
So I’m having a blast now, choosing from the infinite variety of colors and fabrics, looking for the perfect garment.
(Parse)
(S1 (S (IN So)
(NP (PRP I))
(VP (AUX 'm)
(VP (AUXG having)
(NP (DT a) (NN blast)) (ADVP (RB now)) (, ,)
(S (VP (VBG choosing)
(PP (IN from)
(NP (NP (DT the) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NNS colors) (CC and) (NNS fabrics))))
(, ,)
(S (VP (VBG looking)
(PP (IN for)
(NP (DT the) (JJ perfect) (NN garment))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
My favorite items to bake have to be tea breads; the variety can be infinite, and almost anything can be stirred into them.
(Parse)
(S1 (S (NP (NP (PRP$ My) (JJ favorite) (NNS items))
(VP (TO to)
(VP (VB bake))))
(VP (AUX have)
(S (VP (TO to)
(VP (AUX be)
(NP (NP (NN tea) (NNS breads)) (: ;)
(S (S (NP (DT the) (NN variety))
(VP (MD can)
(VP (AUX be)
(ADJP (JJ infinite)))))
(, ,) (CC and)
(S (NP (RB almost) (NN anything))
(VP (MD can)
(VP (AUX be)
(VP (VBD stirred)
(PP (IN into)
(NP (PRP them))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
How does one come across people you know in the infinite variety of the internet?
(Parse)
(S1 (SBARQ (WHADVP (WRB How)) (SQ (AUX does)
(NP (PRP one))
(VP (VB come)
(PP (IN across)
(NP (NP (NNS people))
(SBAR (S (NP (PRP you))
(VP (VBP know)
(PP (IN in)
(NP (NP (DT the) (JJ infinite) (NN variety))
(PP (IN of)
(NP (DT the) (NNP internet)))
(. ?)))
In the ICWSM 2009 Weblog Corpus:
It is certain, on the contrary, that the fortuitous concourse of characters, putting them together by turns with an infinite variety, the precise combination that composes the Iliad must have happened in its turn, somewhat sooner or somewhat later.
(Parse)
(S1 (S (NP (PRP It))
(VP (AUX is)
(ADJP (JJ certain)) (, ,)
(PP (IN on)
(NP (DT the) (NN contrary)))
(, ,)
(SBAR (IN that)
(S (NP (NP (DT the) (JJ fortuitous) (NN concourse))
(PP (IN of)
(NP (NNS characters))))
(, ,)
(S (VP (VBG putting)
(NP (PRP them)) (ADVP (RB together))
(PP (IN by)
(NP (NP (NNS turns))
(PP (IN with)
(NP (DT an) (JJ infinite) (NN variety))))
(, ,)
(NP (NP (DT the) (JJ precise) (NN combination))
(SBAR (WHNP (WDT that))
(S (VP (VBZ composes)
(NP (DT the) (NNP Iliad)))
(VP (MD must)
(VP (VB have)
(VP (VBD happened)
(PP (IN in)
(NP (PRP$ its) (NN turn)))
(, ,) (ADVP (RB somewhat) (RB sooner) (CC or) (RB somewhat) (RB later)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
An infinite variety of design choices is just the beginning. * The world you explore is populated with creatures, plants, buildings and vehicles developed by other gamers and downloaded from a central database.
(Parse)
(S1 (S (S (NP (NP (DT An) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NN design) (NNS choices))))
(VP (AUX is)
(NP (RB just) (DT the) (NN beginning))))
(. .)
(NP (NP (NNP *) (NNP The) (NN world))
(SBAR (S (NP (PRP you))
(VP (VB explore)))))
(VP (AUX is)
(VP (VBN populated)
(PP (IN with)
(NP (NP (NNS creatures) (, ,) (NNS plants) (, ,) (NNS buildings) (CC and) (NNS vehicles))
(VP (VP (VBN developed)
(PP (IN by)
(NP (JJ other) (NNS gamers))))
(CC and)
(VP (VBN downloaded)
(PP (IN from)
(NP (DT a) (JJ central) (NN database)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Futurist musicians must substitute for the limited variety of tones posessed by orchestral instruments today the infinite variety of tones of noises, reproduced with appropriate mechanisms. 3.
(Parse)
(S1 (S (NP (JJ Futurist) (NNS musicians))
(VP (MD must)
(VP (VB substitute)
(PP (IN for)
(NP (NP (DT the) (JJ limited) (NN variety))
(PP (IN of)
(NP (NP (NNS tones))
(VP (VBD posessed)
(PP (IN by)
(NP (JJ orchestral) (NNS instruments)))
(NP (NN today))
(NP (NP (DT the) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NP (NNS tones))
(PP (IN of)
(NP (NP (NNS noises)) (, ,)
(VP (VBN reproduced)
(PP (IN with)
(NP (JJ appropriate) (NNS mechanisms))))
(. .) (CD 3))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
The best thing is that the variety you can create is infinite.
(Parse)
(S1 (S (NP (DT The) (JJS best) (NN thing))
(VP (AUX is)
(SBAR (IN that)
(S (NP (NP (DT the) (NN variety))
(SBAR (S (NP (PRP you))
(VP (MD can)
(VP (VB create)))
(VP (AUX is)
(ADJP (JJ infinite)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
The Fringe Festival of Edinburgh supplies one with an infinite variety of mediocrity ready to make one sigh with ennui or shrug with indifferent ease.
(Parse)
(S1 (S (NP (NP (DT The) (NN Fringe) (NN Festival))
(PP (IN of)
(NP (NNP Edinburgh))))
(VP (VBZ supplies)
(NP (NN one))
(PP (IN with)
(NP (NP (DT an) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NN mediocrity)))
(ADJP (JJ ready)
(S (VP (TO to)
(VP (VB make)
(NP (CD one) (NN sigh))
(PP (IN with)
(NP (NN ennui) (CC or) (NN shrug)))
(PP (IN with)
(NP (JJ indifferent) (NN ease))))
(. .)))
In the British National Corpus:
The clue to one’s dissatisfaction comes on page 60 when, in the course of a short section on advertising and television, Hewison writes, “Our world picture breaks up, splintered into clips and cuts, suspended on an unending flow of imagery, a single sentence of infinite variety, with only the passage of time as continuity.”
(Parse)
(S1 (S (S (NP (NP (DT The) (NN clue))
(PP (TO to)
(NP (CD one))))
(VP (AUX 's)
(SBAR (S (NP (NN dissatisfaction))
(VP (VBZ comes)
(PP (IN on)
(NP (NN page) (CD 60)))
(SBAR (WHADVP (WRB when))
(S (, ,)
(PP (IN in)
(NP (NP (DT the) (NN course))
(PP (IN of)
(NP (NP (DT a) (JJ short) (NN section))
(PP (IN on)
(NP (NN advertising) (CC and) (NN television))))
(, ,)
(NP (NNP Hewison))
(VP (VBZ writes)))
(, ,) ('' '')
(NP (PRP$ Our) (NN world) (NN picture))
(VP (VBZ breaks) (PRT (RP up)) (, ,) (ADVP (JJ splintered)
(PP (IN into)
(NP (NNS clips) (CC and) (NNS cuts))))
(, ,)
(PP (VBN suspended)
(PP (IN on)
(NP (NP (DT an) (JJ unending) (NN flow))
(PP (IN of)
(NP (NN imagery)))
(, ,)
(NP (NP (DT a) (JJ single) (NN sentence))
(PP (IN of)
(NP (JJ infinite) (NN variety))))
(, ,)
(PP (IN with)
(NP (NP (RB only) (DT the) (NN passage))
(PP (IN of)
(NP (NP (NN time))
(PP (IN as)
(NP (NN continuity)))))
(. .) ('' '')))
In the ICWSM 2009 Weblog Corpus:
Futurist musicians must substitute for the limited variety of tones posessed by orchestral instruments today the infinite variety of tones of noises, reproduced with appropriate mechanisms. 3.
(Parse)
(S1 (S (NP (JJ Futurist) (NNS musicians))
(VP (MD must)
(VP (VB substitute)
(PP (IN for)
(NP (NP (DT the) (JJ limited) (NN variety))
(PP (IN of)
(NP (NP (NNS tones))
(VP (VBD posessed)
(PP (IN by)
(NP (JJ orchestral) (NNS instruments)))
(NP (NN today))
(NP (NP (DT the) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NP (NNS tones))
(PP (IN of)
(NP (NP (NNS noises)) (, ,)
(VP (VBN reproduced)
(PP (IN with)
(NP (JJ appropriate) (NNS mechanisms))))
(. .) (CD 3))))
(. .)))
In Wikipedia:
They produce an infinite variety of valuable articles.
(Parse)
(S1 (S (NP (PRP They))
(VP (VBP produce)
(NP (NP (DT an) (JJ infinite) (NN variety))
(PP (IN of)
(NP (JJ valuable) (NNS articles)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Mystical Lighting includes 16 visual effects, over 400 presets for instant results and an infinite variety of looks.
(Parse)
(S1 (S (NP (NNP Mystical) (NNP Lighting))
(VP (VBZ includes)
(NP (NP (CD 16) (JJ visual) (NNS effects)) (, ,)
(NP (NP (QP (IN over) (CD 400)) (NNS presets))
(PP (IN for)
(NP (JJ instant) (NNS results))))
(CC and)
(NP (NP (DT an) (JJ infinite) (NN variety))
(PP (IN of)
(NP (NNS looks)))
(. .)))
And 478 more sentences.