Learned by Reading
In Wikipedia:
Since he appeared to be delusional, it was possible that his psychological structures would collapse in the face of imminent defeat.
(Parse)
(S1 (S (SBAR (IN Since)
(S (NP (PRP he))
(VP (VBD appeared)
(S (VP (TO to)
(VP (AUX be)
(ADJP (JJ delusional)))))
(, ,)
(NP (PRP it))
(VP (AUX was)
(ADJP (JJ possible))
(SBAR (IN that)
(S (NP (PRP$ his) (JJ psychological) (NNS structures))
(VP (MD would)
(VP (VB collapse)
(PP (IN in)
(NP (NP (DT the) (NN face))
(PP (IN of)
(NP (JJ imminent) (NN defeat))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Throughout the exhibit, Round introduces Gill’s diary entry with a series of fonts that mirror the line and volume of his own formal structures (click image above for detail), though drift toward incoherence through an adherence to a grid-like presentation.
(Parse)
(S1 (S (PP (IN Throughout)
(NP (DT the) (NN exhibit)))
(, ,)
(NP (NNP Round))
(VP (VBZ introduces)
(NP (NP (NNP Gill) (POS 's)) (JJ diary) (NN entry))
(PP (IN with)
(NP (NP (DT a) (NN series))
(PP (IN of)
(NP (NNS fonts)))
(SBAR (WHNP (WDT that))
(S (VP (VBP mirror)
(NP (NP (DT the) (NN line) (CC and) (NN volume))
(PP (IN of)
(NP (PRP$ his) (JJ own) (JJ formal) (NNS structures))))
(PRN (-LRB- -LRB-)
(NP (NP (NN click) (NN image))
(PP (IN above)
(PP (IN for)
(NP (NN detail)))))
(-RRB- -RRB-))))
(, ,)
(SBAR (IN though)
(S (VP (VB drift)
(PP (IN toward)
(NP (NN incoherence)))
(PP (IN through)
(NP (NP (DT an) (NN adherence))
(PP (TO to)
(NP (DT a) (NN grid)))))
(: -)
(PP (IN like)
(NP (NN presentation))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
What might be laughed off as artistic excess suddenly trickles icily down your spine when you realize that Kinkade’s rustic incinerators are operating at full tilt regardless of the time of day, prevailing weather conditions, and the particular season depicted in the painting!? 2) All of his structures bear multiple chimneys that are exhaling thin, vertically – stretched spires of exhaust smoke which are indicative of extremely hot fires within, and of virtually no air movement without.
(Parse)
(S1 (S (SBARQ (WHNP (WP What)) (SQ (VP (MD might)
(VP (AUX be)
(VP (VBN laughed) (PRT (RP off))
(PP (IN as)
(S (NP (JJ artistic) (NN excess)) (ADVP (RB suddenly))
(VP (VBZ trickles) (ADVP (RB icily))
(PP (IN down)
(NP (PRP$ your) (NN spine)))
(SBAR (WHADVP (WRB when))
(S (NP (PRP you))
(VP (VBP realize)
(SBAR (IN that)
(S (NP (NP (NNP Kinkade) (POS 's)) (JJ rustic) (NNS incinerators))
(VP (AUX are)
(VP (VBG operating)
(PP (IN at)
(NP (JJ full) (NN tilt)))
(ADVP (RB regardless)
(PP (IN of)
(NP (NP (DT the) (NN time))
(PP (IN of)
(NP (NP (NN day)) (, ,)
(NP (JJ prevailing) (NN weather) (NNS conditions)) (, ,) (CC and)
(NP (NP (DT the) (JJ particular) (NN season))
(VP (VBN depicted)
(PP (IN in)
(NP (DT the) (NN painting)))
(. !))))
(. ?))
(NP (NP (CD 2) (-RRB- -RRB-) (NNP All))
(PP (IN of)
(NP (PRP$ his) (NNS structures))))
(VP (VB bear)
(NP (NP (JJ multiple) (NNS chimneys))
(SBAR (WHNP (WDT that))
(S (VP (AUX are)
(VP (VBG exhaling) (ADVP (RB thin)) (, ,) (ADVP (RB vertically)) (: -)
(NP (NP (JJ stretched) (NNS spires))
(PP (IN of)
(NP (VB exhaust) (NN smoke)))
(SBAR (WHNP (WDT which))
(S (VP (VP (AUX are)
(ADJP (JJ indicative)
(PP (IN of)
(NP (ADJP (RB extremely) (JJ hot)) (NNS fires))))
(PP (IN within)))
(, ,) (CC and)
(PP (IN of)
(NP (NP (RB virtually) (DT no) (NN air) (NN movement)) (ADVP (IN without)))))
(. .)))
In Wikipedia:
From the little of his work which survives, however, it can be gleaned that Ferrarino was an able lyricist in the academic Occitan he had acquired, and his original structures merit his works’ inclusion in the corpus of trobar clus.
(Parse)
(S1 (S (PP (IN From)
(NP (NP (DT the) (RB little))
(PP (IN of)
(NP (PRP$ his) (NN work)))
(SBAR (WHNP (WDT which))
(S (VP (VBZ survives)))
(, ,) (ADVP (RB however)) (, ,)
(S (NP (PRP it))
(VP (MD can)
(VP (AUX be)
(VP (VBN gleaned)
(SBAR (IN that)
(S (NP (NNP Ferrarino))
(VP (AUX was)
(NP (NP (DT an) (JJ able) (NN lyricist))
(PP (IN in)
(NP (DT the) (JJ academic) (NNP Occitan)))
(SBAR (S (NP (PRP he))
(VP (AUX had)
(VP (VBN acquired))))
(, ,) (CC and)
(S (NP (PRP$ his) (JJ original) (NNS structures))
(VP (VBP merit)
(NP (NP (NP (PRP$ his) (NNS works) (POS ')) (NN inclusion))
(PP (IN in)
(NP (NP (DT the) (NN corpus))
(PP (IN of)
(NP (JJ trobar) (NNS clus)))))
(. .)))
In Wikipedia:
The Roman concrete has remained a riddle, and even after more than two thousand years some of ancient Roman structures still stand magnificently, like the Pantheon (with one of the largest single span domes in the world) located in the business district of todays Rome.
(Parse)
(S1 (S (S (NP (DT The) (NNP Roman) (NN concrete))
(VP (AUX has)
(VP (VBN remained)
(NP (DT a) (NN riddle)))))
(, ,) (CC and)
(S (PP (ADVP (RB even)) (IN after)
(NP (QP (JJR more) (IN than) (CD two) (CD thousand)) (NNS years)))
(NP (NP (DT some))
(PP (IN of)
(NP (JJ ancient) (NNP Roman) (NNS structures))))
(ADVP (RB still))
(VP (VBP stand) (ADVP (RB magnificently)) (, ,)
(PP (IN like)
(NP (NP (DT the) (NNP Pantheon)) (PRN (-LRB- -LRB-)
(PP (IN with)
(NP (NP (CD one))
(PP (IN of)
(NP (NP (DT the) (JJS largest) (JJ single) (NN span) (NNS domes))
(PP (IN in)
(NP (DT the) (NN world))))
(-RRB- -RRB-))
(VP (VBN located)
(PP (IN in)
(NP (NP (DT the) (NN business) (NN district))
(PP (IN of)
(NP (JJ todays) (NNP Rome))))
(. .)))
In Wikipedia:
This debate emerged full – fledged in 1949, with the publication of George Murdock’s “Social Structure”, and Claude Lvi – Strauss’s “Les Structures lmentaires de la Parent”.
(Parse)
(S1 (S (S (NP (DT This) (NN debate))
(VP (VBD emerged)
(ADJP (JJ full))))
(: -)
(S (VP (VBN fledged)
(PP (IN in)
(NP (CD 1949)))
(, ,)
(PP (IN with)
(NP (NP (NP (DT the) (NN publication))
(PP (IN of)
(NP (NP (NNP George) (NNP Murdock) (POS 's)) ('' '')
(ADJP (JJ Social)) (NN Structure) ('' ''))))
(, ,) (CC and)
(NP (NNP Claude) (NNP Lvi)))
(: -)
(S (NP (NP (NNP Strauss) (POS 's)) ('' '') (NNP Les) (NNS Structures))
(VP (VBD lmentaires)
(NP (FW de) (FW la) (FW Parent) ('' ''))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
I showed him how to incorporate holes into his structures, and we often peek at one another through them and laugh.
(Parse)
(S1 (S (S (NP (PRP I))
(VP (VBD showed)
(NP (PRP him))
(SBAR (WHADVP (WRB how))
(S (VP (TO to)
(VP (VB incorporate)
(NP (NNS holes))
(PP (IN into)
(NP (PRP$ his) (NNS structures)))
(, ,) (CC and)
(S (NP (PRP we)) (ADVP (RB often))
(VP (VP (NN peek)
(PP (IN at)
(NP (CD one) (DT another)))
(PP (IN through)
(NP (PRP them))))
(CC and)
(VP (VB laugh))))
(. .)))
In Wikipedia:
The FEU campus in downtown Manila is largest cluster of Art Deco structures in the Philippines designed by National Artist for Architecture Pablo Antonio and contains rare art collections from renowned Filipino artists like Carlos Botong Francisco, Fernando Amorsolo, Antonio Dumlao, Simon Saulog, Solomon Saprid and Italian sculptor Francesco Monti.
(Parse)
(S1 (S (NP (NP (DT The) (NN FEU) (NN campus))
(PP (IN in)
(NP (NN downtown) (NNP Manila))))
(VP (VP (AUX is)
(NP (NP (JJS largest) (NN cluster))
(PP (IN of)
(NP (NP (NNP Art) (NNP Deco) (NNS structures))
(PP (IN in)
(NP (DT the) (NNPS Philippines)))))
(VP (VBN designed)
(PP (IN by)
(NP (JJ National) (NN Artist)))
(PP (IN for)
(NP (NNP Architecture) (NNP Pablo) (NNP Antonio)))
(CC and)
(VP (VBZ contains)
(NP (NP (JJ rare) (NN art) (NNS collections))
(PP (IN from)
(NP (JJ renowned) (NNP Filipino) (NNS artists))))
(PP (IN like)
(NP (NP (NNP Carlos) (FW Botong) (NNP Francisco)) (, ,)
(NP (NNP Fernando) (NNP Amorsolo)) (, ,)
(NP (NNP Antonio) (NNP Dumlao)) (, ,)
(NP (NNP Simon) (NNP Saulog)) (, ,)
(NP (NNP Solomon) (NNP Saprid)) (CC and)
(NP (JJ Italian) (NN sculptor) (NNP Francesco) (NNP Monti)))
(. .)))
In Wikipedia:
He did not invent the roof, but he used it widely on all of his structures.
(Parse)
(S1 (S (S (NP (PRP He))
(VP (AUX did) (RB not)
(VP (VB invent)
(NP (DT the) (NN roof)))))
(, ,) (CC but)
(S (NP (PRP he))
(VP (VBD used)
(NP (PRP it)) (ADVP (RB widely))
(PP (IN on)
(NP (NP (DT all))
(PP (IN of)
(NP (PRP$ his) (NNS structures))))
(. .)))
In Wikipedia:
It is therefore believed the church was built in brick rather than wood, since the king needed bricks for his defensive structures.
(Parse)
(S1 (S (NP (PRP It))
(VP (AUX is) (ADVP (RB therefore))
(VP (VBN believed)
(SBAR (S (NP (DT the) (NN church))
(VP (AUX was)
(VP (VBN built)
(PP (IN in)
(NP (NP (NN brick)) (CONJP (RB rather) (IN than))
(NP (NN wood))))
(, ,)
(SBAR (IN since)
(S (NP (DT the) (NN king))
(VP (VBD needed)
(NP (NP (NNS bricks))
(PP (IN for)
(NP (PRP$ his) (JJ defensive) (NNS structures))))
(. .)))
In Wikipedia:
However, he is most known for his monumental structures constructed in iron or concrete, which decorate cities throughout the world, from San Antonio, Texas to Osaka, Japan.
(Parse)
(S1 (S (ADVP (RB However)) (, ,)
(NP (PRP he))
(VP (AUX is)
(ADJP (RBS most) (JJ known)
(PP (IN for)
(NP (NP (PRP$ his) (JJ monumental) (NNS structures))
(VP (VBN constructed)
(PP (IN in)
(NP (NN iron) (CC or) (NN concrete))))
(, ,)
(SBAR (WHNP (WDT which))
(S (VP (VBP decorate)
(NP (NP (NNS cities))
(PP (IN throughout)
(NP (DT the) (NN world))))
(, ,)))
(PP (PP (IN from)
(NP (NP (NNP San) (NNP Antonio)) (, ,)
(NP (NNP Texas))))
(PP (TO to)
(NP (NP (NNP Osaka)) (, ,)
(NP (NNP Japan))))
(. .)))
In Wikipedia:
He did not invent the roof, but he used it widely on all of his structures.
(Parse)
(S1 (S (S (NP (PRP He))
(VP (AUX did) (RB not)
(VP (VB invent)
(NP (DT the) (NN roof)))))
(, ,) (CC but)
(S (NP (PRP he))
(VP (VBD used)
(NP (PRP it)) (ADVP (RB widely))
(PP (IN on)
(NP (NP (DT all))
(PP (IN of)
(NP (PRP$ his) (NNS structures))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
His visual poetic structures can be found in various special collection libraries like the Sackner Archive; they have also appeared in numerous galleries and anthologies, such as the recent Ohio State Visual Poetry in the Avant Writing Collection and the Minnesota Center for Book Arts’ Vispoeologee.
(Parse)
(S1 (S (S (NP (PRP$ His) (JJ visual) (JJ poetic) (NNS structures))
(VP (MD can)
(VP (AUX be)
(VP (VBN found)
(PP (IN in)
(NP (NP (JJ various) (JJ special) (NN collection) (NNS libraries))
(PP (IN like)
(NP (DT the) (NNP Sackner) (NNP Archive)))
(: ;)
(S (NP (PRP they))
(VP (AUX have) (ADVP (RB also))
(VP (VBN appeared)
(PP (IN in)
(NP (NP (JJ numerous) (NNS galleries) (CC and) (NNS anthologies)) (, ,)
(PP (JJ such) (IN as)
(NP (NP (DT the) (JJ recent) (NNP Ohio) (NNP State) (JJ Visual) (NN Poetry))
(PP (IN in)
(NP (NP (DT the) (JJ Avant) (NN Writing) (NN Collection)) (CC and)
(NP (DT the) (NAC (NNP Minnesota) (NNP Center)
(PP (IN for)
(NP (NNP Book) (NNP Arts))))
('' ') (NNP Vispoeologee)))))
(. .)))
In Wikipedia:
His “Structures and Dynamics of Organizations and Groups” in 1963 examined the same analysis in a broader context than one – on – one interaction.
(Parse)
(S1 (S (NP (NP (PRP$ His) ('' '') (NNS Structures) (CC and) (NNPS Dynamics))
(PP (IN of)
(NP (NP (NNPS Organizations) (CC and) (NNS Groups)) ('' '')
(PP (IN in)
(NP (CD 1963)))
(VP (VBD examined)
(NP (DT the) (JJ same) (NN analysis))
(PP (IN in)
(NP (NP (DT a) (JJR broader) (NN context))
(PP (IN than)
(NP (CD one)))))
(: -)
(PP (IN on)) (: -)
(NP (CD one) (NN interaction)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
It was one of the capitals of the Roman Empire and this is evident in the number of Roman structures that still stand in the city.
(Parse)
(S1 (S (S (NP (PRP It))
(VP (AUX was)
(NP (NP (CD one))
(PP (IN of)
(NP (NP (DT the) (NNS capitals))
(PP (IN of)
(NP (DT the) (NNP Roman) (NNP Empire)))))
(CC and)
(S (NP (DT this))
(VP (AUX is)
(ADJP (JJ evident))
(PP (IN in)
(NP (NP (DT the) (NN number))
(PP (IN of)
(NP (NNP Roman) (NNS structures)))
(SBAR (WHNP (WDT that))
(S (ADVP (RB still))
(VP (VBP stand)
(PP (IN in)
(NP (DT the) (NN city))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Exhibition Information: Between Earth and Heaven: The Architecture of John Lautner July 13 – October 12, 2008 Museum Hours & Admission: Tue, Wed, Fri, Sat 11am – 7 pm Thu 11am – 9 pm Sun 11am – 5 pm $ 7 – Adults The museum also hosts John Lautner House Tours featuring some of his notable structures located here in the city.
(Parse)
(S1 (NP (NP (NN Exhibition) (NNP Information) (: :)
(PP (IN Between)
(NP (NP (NNP Earth)) (CC and)
(NP (NP (NN Heaven)) (: :)
(NP (NP (DT The) (NN Architecture))
(PP (IN of)
(NP (NNP John) (NNP Lautner) (NNP July) (CD 13))))
(: -)
(NP (NP (NNP October) (CD 12) (, ,) (CD 2008)) (NNP Museum) (NNS Hours) (CC &) (NN Admission)) (: :)
(NP (NNP Tue)) (, ,)
(VP (VBN Wed)))))
(, ,)
(NP (NNP Fri)) (, ,)
(VP (VBD Sat)
(NP (NP (NN 11am)) (: -)
(NP (CD 7) (JJ pm) (NNP Thu) (NN 11am)) (: -)
(NP (CD 9) (JJ pm) (NNP Sun) (NN 11am)) (: -)
(NP (CD 5) (NN pm)))
(NP ($ $) (CD 7))))
(: -)
(NP (NP (NNS Adults))
(SBAR (S (NP (DT The) (NN museum)) (ADVP (RB also))
(VP (VBZ hosts)
(NP (NP (NNP John) (NNP Lautner) (NNP House) (NNS Tours))
(VP (VBG featuring)
(NP (NP (DT some))
(PP (IN of)
(NP (NP (PRP$ his) (JJ notable) (NNS structures))
(VP (VBN located) (ADVP (RB here))
(PP (IN in)
(NP (DT the) (NN city))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
His designs are distinctive because of the way his structures interact with the environment, as if there were no boundaries between indoors and out.
(Parse)
(S1 (S (NP (PRP$ His) (NNS designs))
(VP (AUX are)
(ADJP (JJ distinctive))
(PP (IN because) (IN of)
(NP (NP (DT the) (NN way))
(SBAR (S (NP (PRP$ his) (NNS structures))
(VP (VBP interact)
(PP (IN with)
(NP (DT the) (NN environment)))
(, ,)
(SBAR (IN as) (IN if)
(S (NP (EX there))
(VP (AUX were)
(NP (NP (DT no) (NNS boundaries))
(PP (IN between) (UCP (NP (NNS indoors)) (CC and) (ADVP (IN out)))))
(. .)))
In Wikipedia:
Second, the time needed to realize his elaborate serial structures were brought within practical reach.
(Parse)
(S1 (S (ADVP (JJ Second)) (, ,)
(NP (DT the) (NN time))
(VP (VBD needed)
(S (VP (TO to)
(VP (VB realize)
(SBAR (S (NP (PRP$ his) (JJ elaborate) (JJ serial) (NNS structures))
(VP (AUX were)
(VP (VBN brought)
(PP (IN within)
(NP (JJ practical) (NN reach)))))
(. .)))
In Wikipedia:
A recent study shows that along with some Bay Area freeways, some of BART’s overhead structures could be extensively damaged and could potentially collapse in the event of a major earthquake, which is predicted as highly likely to happen in the Bay Area within the next 30 years.
(Parse)
(S1 (S (NP (DT A) (JJ recent) (NN study))
(VP (VBZ shows)
(SBAR (IN that)
(S (PP (IN along)
(PP (IN with)
(NP (DT some) (NNP Bay) (NNP Area) (NNS freeways))))
(, ,)
(NP (NP (DT some))
(PP (IN of)
(NP (NP (NNP BART) (POS 's)) (JJ overhead) (NNS structures))))
(VP (VP (MD could)
(VP (AUX be)
(VP (ADVP (RB extensively)) (VBN damaged))))
(CC and)
(VP (MD could) (ADVP (RB potentially))
(VP (VB collapse)
(PP (IN in)
(NP (NP (DT the) (NN event))
(PP (IN of)
(NP (NP (DT a) (JJ major) (NN earthquake)) (, ,)
(SBAR (WHNP (WDT which))
(S (VP (AUX is)
(VP (VBN predicted)
(PP (IN as)
(ADJP (RB highly) (JJ likely)))
(S (VP (TO to)
(VP (VB happen)
(PP (IN in)
(NP (DT the) (NNP Bay) (NNP Area)))
(PP (IN within)
(NP (DT the) (JJ next) (CD 30) (NNS years)))))
(. .)))
In Wikipedia:
Many of his structures during the period of the late 1960s and early 1970s are in the restrained Brutalism style of architecture, such as the Rochdale College tower, completed in 1968.
(Parse)
(S1 (S (NP (NP (JJ Many))
(PP (IN of)
(NP (NP (PRP$ his) (NNS structures))
(PP (IN during)
(NP (NP (DT the) (NN period))
(PP (IN of)
(NP (NP (DT the) (JJ late) (NNS 1960s)) (CC and)
(NP (RB early) (NNS 1970s)))
(VP (AUX are)
(PP (IN in)
(NP (NP (DT the) (JJ restrained) (NN Brutalism) (NN style))
(PP (IN of)
(NP (NN architecture)))
(, ,)
(PP (JJ such) (IN as)
(NP (NP (DT the) (NNP Rochdale) (NNP College) (NN tower)) (, ,)
(VP (VBN completed)
(PP (IN in)
(NP (CD 1968)))
(. .)))
And 460 more sentences.