Learned by Reading
In the ICWSM 2009 Weblog Corpus:
If the paintwork is cracked or flaking; resist the temptation to just put on a quick layer of paint over a tatty surface.
(Parse)
(S1 (S (SBAR (IN If)
(S (NP (DT the) (NN paintwork))
(VP (AUX is)
(ADJP (VBN cracked) (CC or) (JJ flaking)))))
(: ;)
(VP (VB resist)
(NP (DT the) (NN temptation)
(S (VP (TO to) (ADVP (RB just))
(VP (VB put) (PRT (RP on))
(NP (NP (DT a) (JJ quick) (NN layer))
(PP (IN of)
(NP (NN paint)))))
(PP (IN over)
(NP (DT a) (JJ tatty) (NN surface))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Quality is a layer of glossy brown paint over a fiber glass panel, which splinters upon impact, killing a 30 year company veteran instantly from what would be a’ ’ fender bender’ ’ in a normal automobile.
(Parse)
(S1 (S (NP (NN Quality))
(VP (AUX is)
(NP (NP (DT a) (NN layer))
(PP (IN of)
(NP (NP (JJ glossy) (JJ brown) (NN paint))
(PP (IN over)
(NP (NP (DT a) (NN fiber) (NN glass) (NN panel)) (, ,)
(SBAR (WHNP (WDT which))
(S (VP (VBZ splinters)
(PP (IN upon)
(NP (NN impact)))
(, ,)
(S (VP (VBG killing)
(NP (DT a)
(ADJP (CD 30) (NN year)) (NN company) (NN veteran)) (ADVP (RB instantly)
(PP (IN from)
(SBAR (WHNP (WP what))
(S (VP (MD would)
(VP (AUX be)
(S (NP (DT a))
(VP (POS ') ('' ')
(NP (NN fender) (NN bender) ('' ')) ('' ')
(PP (IN in)
(NP (DT a) (JJ normal) (NN automobile))))
(. .)))
In Wikipedia:
“Pentimenti”, a term used in art conservation, refers to the visible trace of an earlier painting beneath a layer of paint on a canvas typically found during restoration or x – ray.
(Parse)
(S1 (S ('' '')
(NP (NP (NNP Pentimenti) ('' '')) (, ,)
(NP (NP (DT a) (NN term))
(VP (VBN used)
(PP (IN in)
(NP (NN art) (NN conservation)))))
(, ,))
(VP (VBZ refers)
(PP (TO to)
(NP (NP (DT the) (JJ visible) (NNP trace))
(PP (IN of)
(NP (NP (DT an) (JJR earlier) (NN painting))
(PP (IN beneath)
(NP (NP (DT a) (NN layer))
(PP (IN of)
(NP (NP (NN paint))
(PP (IN on)
(NP (NP (DT a) (NN canvas))
(VP (ADVP (RB typically)) (VBN found)
(PP (IN during)
(NP (NP (NN restoration)) (CC or)
(S (LST (LS x)) (: -)
(NP (NN ray)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
In this painting I was trying to render the copper – ness and brass – ness of the jug as well as the full reflection of my studio, which emerged ever more completely with each successive layer of paint and closer observation.
(Parse)
(S1 (S (PP (IN In)
(NP (DT this) (NN painting)))
(NP (PRP I))
(VP (AUX was)
(VP (VBG trying)
(S (VP (TO to)
(VP (VB render)
(NP (NP (DT the) (NN copper) (PRN (: -)
(NP (NN ness) (CC and) (NN brass)) (: -)) (NN ness))
(PP (IN of)
(NP (NP (DT the) (NN jug)) (CONJP (RB as) (RB well) (IN as))
(NP (NP (DT the) (JJ full) (NN reflection))
(PP (IN of)
(NP (PRP$ my) (NN studio)))
(, ,)
(SBAR (WHNP (WDT which))
(S (VP (VBD emerged) (ADVP (RB ever) (RBR more) (RB completely))
(PP (IN with)
(NP (NP (DT each) (JJ successive) (NN layer))
(PP (IN of)
(NP (NP (NN paint)) (CC and)
(NP (JJR closer) (NN observation)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
So the back wall will be mirrored, and the side walls will be this nice toned – down silver: That’s oil – based silver paint that was gone over with a white glaze, then another layer of silver paint and finally a thinned, glazed layer of silver paint.
(Parse)
(S1 (S (CC So)
(S (NP (DT the) (JJ back) (NN wall))
(VP (MD will)
(VP (AUX be)
(VP (VBD mirrored)))))
(, ,) (CC and)
(S (NP (DT the) (NN side) (NNS walls))
(VP (MD will)
(VP (AUX be)
(NP (NP (DT this) (JJ nice))
(VP (VBN toned) (PRN (: -)
(PP (IN down)
(NP (NN silver)))
(: :))
(SBAR (IN That)
(S (VP (AUX 's)
(NP (NP (NN oil)) (: -)
(NP (NP (VBN based) (JJ silver) (NN paint))
(SBAR (WHNP (WDT that))
(S (VP (AUX was)
(VP (VBN gone) (PRT (RP over))
(PP (IN with)
(NP (NP (DT a) (JJ white) (VB glaze)) (, ,)
(NP (NP (NP (RB then) (DT another) (NN layer))
(PP (IN of)
(NP (JJ silver) (NN paint))))
(CC and) (ADVP (RB finally))
(NP (NP (DT a) (VBN thinned) (, ,) (JJ glazed) (NN layer))
(PP (IN of)
(NP (JJ silver) (NN paint)))
(. .)))
In the British National Corpus:
As successive layers of paint came off, the details of the zigzag carving emerged clearly and small areas of red and dark brown pigment from the original painting could be seen.
(Parse)
(S1 (S (SBAR (IN As)
(S (NP (NP (JJ successive) (NNS layers))
(PP (IN of)
(NP (NN paint))))
(VP (VBD came) (PRT (RP off)))))
(, ,)
(NP (NP (NP (DT the) (NNS details))
(PP (IN of)
(S (NP (DT the) (NN zigzag))
(VP (VBG carving)
(VP (VBN emerged) (ADVP (RB clearly))))
(CC and)
(NP (NP (JJ small) (NNS areas))
(PP (IN of)
(NP (NP (ADJP (JJ red) (CC and) (JJ dark)) (JJ brown) (NN pigment))
(PP (IN from)
(NP (DT the) (JJ original) (NN painting))))
(VP (MD could)
(VP (AUX be)
(VP (VBN seen))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Some progress shots… with only paper stripped, some priming and a bit of plaster build up… next comes various layers of paint and glaze.
(Parse)
(S1 (S (S (NP (DT Some) (NN progress) (NNS shots)) (ADVP (RB ..) (. .))
(SBAR (IN with)
(S (NP (JJ only) (NN paper))
(VP (VBD stripped))))
(, ,)
(NP (NP (DT some) (JJ priming)) (CC and)
(NP (NP (DT a) (NN bit))
(PP (IN of)
(NP (NN plaster)))))
(VP (VB build) (PRT (RP up)) (ADVP (RB ..)))
(. .))
(VP (ADVP (RB next)) (VBZ comes)
(NP (NP (JJ various) (NNS layers))
(PP (IN of)
(NP (NN paint) (CC and) (VB glaze)))))
(. .)))
In Wikipedia:
According to Fomenko these tables contain clearer signs of Scaligerite activity which were subsequently buried under layers of paint and plaster by historians of the XIX – XX century.
(Parse)
(S1 (S (PP (VBG According)
(PP (TO to)
(NP (NNP Fomenko))))
(NP (DT these) (NNS tables))
(VP (VBP contain)
(NP (NP (JJR clearer) (NNS signs))
(PP (IN of)
(NP (NP (JJ Scaligerite) (NNS activity))
(SBAR (WHNP (WDT which))
(S (VP (AUX were) (ADVP (RB subsequently))
(VP (VBN buried)
(PP (IN under)
(NP (NP (NNS layers))
(PP (IN of)
(NP (NN paint) (CC and) (NN plaster)))))
(PP (IN by)
(NP (NP (NNS historians))
(PP (IN of)
(NP (NP (DT the) (NN XIX)) (: -)
(NP (CD XX) (NN century)))))
(. .)))
In Wikipedia:
The flames rose vertically through the stairwells, fueled by the wood paneling, wooden decks and layers of fresh paint on the walls.
(Parse)
(S1 (S (NP (DT The) (NNS flames))
(VP (VBD rose) (ADVP (RB vertically))
(PP (IN through)
(NP (NP (DT the) (NNS stairwells)) (, ,)
(VP (VBN fueled)
(PP (IN by)
(NP (NP (DT the) (NN wood) (NN paneling)) (, ,)
(NP (JJ wooden) (NNS decks)) (CC and)
(NP (NP (NNS layers))
(PP (IN of)
(NP (NP (JJ fresh) (NN paint))
(PP (IN on)
(NP (DT the) (NNS walls)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
’ ’ beneath layers of paint.
(Parse)
(S1 (S (VP (POS ') ('' ')
(PP (IN beneath)
(NP (NP (NNS layers))
(PP (IN of)
(NP (NN paint)))
(. .)))
In Wikipedia:
The exhibition Ashes at DNJ Gallery in Los Angeles, California, is a culmination of these three projects; Burn Out! – photographs of Goodes studio which was destroyed in the fire, Study for Lost Paintings small scale photographic studies of his last series of paintings before the fire, and Lost Paintings – large scale reproductions of his studies topped with layers of paint.
(Parse)
(S1 (S (NP (NP (NP (DT The) (NN exhibition) (NN Ashes))
(PP (IN at)
(NP (NP (NNP DNJ) (NNP Gallery))
(PP (IN in)
(NP (NNP Los) (NNP Angeles)))
(, ,)
(NP (NNP California)) (, ,))
(VP (AUX is)
(NP (NP (DT a) (NN culmination))
(PP (IN of)
(NP (NP (NP (DT these) (CD three) (NNS projects)) (: ;)
(S (VP (VB Burn) (PRT (RP Out))))
(. !) (CD )) (: -)
(NP (NP (NNS photographs))
(PP (IN of)
(NP (NP (NNP Goodes) (NN studio))
(SBAR (WHNP (WDT which))
(S (VP (AUX was)
(VP (VBN destroyed)
(PP (IN in)
(NP (NP (DT the) (NN fire)) (, ,)
(NP (NP (NN Study))
(PP (IN for)
(NP (JJ Lost) (NNP Paintings) (NN small) (NN scale) (JJ photographic) (NNS studies)))
(PP (IN of)
(NP (NP (PRP$ his) (JJ last) (NN series))
(PP (IN of)
(NP (NNS paintings)))
(PP (IN before)
(NP (DT the) (NN fire)))
(, ,) (CC and)
(NP (JJ Lost) (NNP Paintings)))))
(: -)
(NP (NP (JJ large) (NN scale) (NNS reproductions))
(PP (IN of)
(NP (NP (PRP$ his) (NNS studies))
(VP (VBN topped)
(PP (IN with)
(NP (NP (NNS layers))
(PP (IN of)
(NP (NN paint))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
The graphic doesn’t show the Bustin logo – but it’s there, just another layer of black paint that you can see if you tilt the board a little in the light (that was the desired effect)
(Parse)
(S1 (S (S (NP (DT The) (JJ graphic))
(VP (AUX does) (RB n't)
(VP (VB show)
(NP (DT the) (NNP Bustin) (NN logo)))))
(: -) (CC but)
(S (NP (PRP it))
(VP (AUX 's) (ADVP (RB there)) (, ,) (ADVP (RB just))
(NP (NP (DT another) (NN layer))
(PP (IN of)
(NP (JJ black) (NN paint)))
(SBAR (IN that)
(S (NP (PRP you))
(VP (MD can)
(VP (VB see)
(SBAR (IN if)
(S (NP (PRP you))
(VP (VB tilt)
(NP (DT the) (NN board))
(NP (DT a) (JJ little))
(PP (IN in)
(NP (NP (DT the) (NN light)) (PRN (-LRB- -LRB-)
(S (NP (DT that))
(VP (AUX was)
(NP (DT the) (VBN desired) (NN effect))))
(-RRB- -RRB-))))))))))))))))
In the ICWSM 2009 Weblog Corpus:
I have also added a similar layer of paint to the roof of the building to the extreme left and the roadway in front of the house.
(Parse)
(S1 (S (NP (PRP I))
(VP (AUX have) (ADVP (RB also))
(VP (VBN added)
(NP (NP (DT a) (JJ similar) (NN layer))
(PP (IN of)
(NP (NN paint))))
(PP (TO to)
(NP (NP (DT the) (NN roof))
(PP (IN of)
(NP (DT the) (NN building)))))
(PP (TO to)
(NP (NP (DT the) (JJ extreme) (NN left)) (CC and)
(NP (NP (DT the) (NN roadway))
(PP (IN in)
(NP (NP (NN front))
(PP (IN of)
(NP (DT the) (NN house))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
I guess I am wanting it to look like a red layer of paint is on top of a blue layer of paint and the red is starting to chip off.
(Parse)
(S1 (S (NP (PRP I))
(VP (VBP guess)
(SBAR (S (NP (PRP I))
(VP (AUX am)
(VP (VBG wanting)
(S (NP (PRP it))
(VP (TO to)
(VP (VB look)
(SBAR (IN like)
(S (S (NP (NP (DT a) (JJ red) (NN layer))
(PP (IN of)
(NP (NN paint))))
(VP (AUX is)
(PP (IN on)
(NP (NP (NN top))
(PP (IN of)
(NP (NP (DT a) (JJ blue) (NN layer))
(PP (IN of)
(NP (NN paint)))
(CC and)
(S (NP (DT the) (NN red))
(VP (AUX is)
(VP (VBG starting)
(S (VP (TO to)
(VP (NN chip) (PRT (RP off)))
(. .)))
In the ICWSM 2009 Weblog Corpus:
Task List ========= * Pull up the trim tape in my meditation room * Put on a second layer of paint in the entryway * Paint the trim in the entryway
(Parse)
(S1 (S (NP (NN Task) (NN List))
(VP (VBZ =========)
(S (NP (NNP *))
(VP (VB Pull) (PRT (RP up))
(NP (NP (DT the) (JJ trim) (NN tape))
(PP (IN in)
(NP (PRP$ my) (NN meditation) (NN room))))
(S (NP (NNP *))
(VP (VB Put) (PRT (RP on))
(NP (NP (DT a) (JJ second) (NN layer))
(PP (IN of)
(NP (NP (NN paint))
(PP (IN in)
(NP (DT the) (NN entryway)
(S (NP (NNP *))
(VP (VB Paint)
(NP (DT the) (JJ trim))
(PP (IN in)
(NP (DT the) (NN entryway)))))))))))))))))
In the ICWSM 2009 Weblog Corpus:
Find something to do between each layer of paint as it dries.
(Parse)
(S1 (S (VP (VB Find)
(NP (NP (NN something))
(SBAR (S (VP (TO to)
(VP (AUX do)
(PP (IN between)
(NP (NP (DT each) (NN layer))
(PP (IN of)
(NP (NN paint)))))
(SBAR (IN as)
(S (NP (PRP it))
(VP (VBZ dries))))
(. .)))
In Wikipedia:
New layers of paint can be watered down before they are applied to allow the wood and other layers to show through or to look more like “white washing”.
(Parse)
(S1 (S (NP (NP (JJ New) (NNS layers))
(PP (IN of)
(NP (NN paint))))
(VP (MD can)
(VP (AUX be)
(VP (VBD watered) (PRT (RP down))
(SBAR (IN before)
(S (NP (PRP they))
(VP (AUX are)
(VP (VBN applied)
(S (VP (TO to)
(VP (VB allow)
(S (NP (DT the) (NN wood) (CC and) (JJ other) (NNS layers))
(VP (VP (TO to)
(VP (VB show) (PRT (RP through))))
(CC or)
(VP (TO to)
(VP (VB look) (ADVP (RBR more))
(PP (IN like) ('' '')
(NP (JJ white) (VBG washing)) ('' ''))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
After each layer of paint is applied, the parts are baked in an oven for around 10 minutes at around 265 degrees, and after the fifth layer the vein work is done using brushes (which cost around $ 5).
(Parse)
(S1 (S (SBAR (IN After)
(S (NP (NP (DT each) (NN layer))
(PP (IN of)
(NP (NN paint))))
(VP (AUX is)
(VP (VBN applied)))))
(, ,)
(NP (DT the) (NNS parts))
(VP (AUX are)
(ADJP (JJ baked)
(PP (IN in)
(NP (NP (DT an) (NN oven))
(PP (IN for)
(NP (IN around) (CD 10) (NNS minutes)))
(PP (PP (IN at)
(NP (IN around) (CD 265) (NNS degrees)))
(, ,) (CC and)
(PP (IN after)
(NP (NP (DT the) (JJ fifth) (NN layer))
(SBAR (S (NP (DT the) (NN vein) (NN work))
(VP (AUX is) (ADVP (RB done))
(VP (VBG using)
(NP (NP (NNS brushes)) (PRN (-LRB- -LRB-)
(SBAR (WHNP (WDT which))
(S (VP (VBD cost) (PRT (RP around))
(NP ($ $) (CD 5)))))
(-RRB- -RRB-)))))
(. .)))
In the ICWSM 2009 Weblog Corpus:
It had been covered with shag carpets and endless layers of paint.
(Parse)
(S1 (S (NP (PRP It))
(VP (AUX had)
(VP (AUX been)
(VP (VBN covered)
(PP (IN with)
(NP (NP (NN shag) (NNS carpets)) (CC and)
(NP (NP (JJ endless) (NNS layers))
(PP (IN of)
(NP (NN paint)))
(. .)))
And 284 more sentences.